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TPU-Cases High Gloss Back Flexible TPU Cover & Screen Protector for LG Marquee (Sprint) (TPU-Cases Retail Packaging)

Slip your LG Marquee (Sprint) or LG Optimus Black into this custom fit High Gloss Black TPU Cover by TPU-Cases™ and experience the peace of mind of knowing your investment is well protected. Flexible, yet stronger and more durable than silicone, TPU is slip resistant and and offers excellent shock absorption and abrasion resistance. The raised wrap-around edges make for a "lay-on-the-table" design that helps protect the glass screen from damage when placed face down. Easy to install and remove, and definitely affordable--why not build a changeable wardrobe for your phone? Available in High Gloss Black and High Gloss Translucent Smoke by TPU-Cases™

All products sold in TPU-Cases™ Retail Packaging carry a 90 day warranty.

**Please note** It has not been confirmed yet, but it should be assumed that putting a case on your phone may make using a desktop or car dock impossible without removing the case. This case is designed to be used with the standard size battery door only.

Attention Sellers: This ASIN is for a TPU-Cases branded product in TPU-Cases retail packaging.

Midtown Manhattan, Manhattan, New York City, New York, United States

The Waldorf-Astoria Hotel and Towers, which recently celebrated its 60th anniversary on Park Avenue, was built in 1929-31 to be the second home of an internationally known, hundred-year-old New York establishment. Unlike its palatial predecessor on Fifth Avenue at 34th Street, the new Waldorf combined a transient hotel and a related but separate residential tower into a 625-foot-high skyscraper, one of the city's tallest at the time, located in the major new skyscraper office building district developing around Park Avenue near Grand Central Terminal. The architect of the hotel and towers, Lloyd Morgan of the firm of Schultze & Weaver, designed the complex in a sedate but handsome version of the modernistic style now generally referred to as Art Deco, adapting the skyscraper form and an up-to-date look to a conservative traditional establishment. The chief elements of the Waldorf s design include its modernistic massing as a twin-towered skyscraper; the gray limestone base with matching, specially made "Waldorf Gray" brick above; vertical rows of windows and modernistic spandrels; and bronze entryways, marquees, lanterns, and other ornament. Since opening, the hotel and the Towers have been home to some of the world's most famous figures, including presidents, kings and other potentates. The Waldorf-Astoria, continuing to serve as "New York's Unofficial Palace" (as it was once dubbed by the New York Times), remains one of the city's great hotels and major social establishments, and among the handsomest, if most sedate, of the city's Art Deco skyscrapers. Its great modernistic twin towers still form a very visible part of the skyline of midtown Manhattan.

The Waldorf-Astoria

The history of the Waldorf-Astoria Hotel begins with the history of the Astor family, German immigrants from the town of Walldorf.1 The family's vast wealth originated in the fur trade, but was consolidated by the acquisition of cheap farmland on the outskirts of early nineteenth-century New York that later became valuable midtown real estate.

One such piece of farmland, a rural tract crossed by Sunfish Creek when acquired by William Backhouse Astor in 1827, evolved into a substantial piece of Midtown Manhattan including the intersection of Fifth Avenue and 34th Street.2 By the 1850s, this part of Fifth Avenue was lined with the palatial homes of such millionaires as the Vanderbilts and A.T. Stewart (the "merchant prince," one of New York's wealthiest residents). The Astors themselves moved from Astor Place to Fifth Avenue in 1859 when John Jacob Astor, Jr., built his house at the northwest corner of Fifth and 33rd Street; shortly thereafter his brother William Waldorf Astor built an adjoining house at the southwest corner of Fifth and 34th Street.3 The Astor houses soon became known as a central meeting place of New York "society," and home to the balls given by Mrs. Astor for "the four hundred," a phrase coined by social arbiter Ward McAllister to describe the number of people who could fit into Mrs. Astor's ballroom, and understood to include the city's wealthiest and most socially prominent residents.

In 1890, following an unsuccessful run for Congress, William Waldorf Astor moved to England.4 By this time, Manhattan's hotels, theaters, clubs and restaurants had followed residential development up Fifth Avenue. One city guide identified "the great hotel district" as lying "between 23d and 59th Streets, and Fourth and Seventh Avenues" and noted that "in that territory, which is little less than two miles long by a half mile wide, are half of the leading hotels of the metropolis."5 Astor, rather than giving up his house site, redeveloped it with a thirteen-story hotel, designed by one of turn-of-the-century New York's most prominent architects, Henry Janeway Hardenbergh, in a style derived from German Renaissance models.

The Waldorf Hotel opened in 1893 with a benefit concert of the New York Symphony Orchestra, conducted by Walter Damrosch, that attracted society figures from New York, Boston, Philadelphia, and Chicago. Under the management of George Boldt, formerly of the Bellevue Hotel in Philadelphia, the Waldorf soon became known as a gathering place for the city's society, a successor in that capacity to the Astors' private homes. Christened "New York's unofficial palace" by the New York Times,6 the hotel became not only a residence for visitors to the city, but also a social facility for members of prominent New York families, people who formerly would have entertained guests only at home, but did so now at the Waldorf Hotel.

The Waldorf's success veiy soon led to the building of an annex, on the site of the adjoining mansion belonging to John Jacob Astor, Jr. The 17-story addition, also designed by Hardenbergh, linked up with the original, but, because of less t

Park Avenue, Midtown Manhattan, New York City, New York, United States

The Waldorf-Astoria Hotel and Towers, which recently celebrated its 60th anniversary on Park Avenue, was built in 1929-31 to be the second home of an internationally known, hundred-year-old New York establishment. Unlike its palatial predecessor on Fifth Avenue at 34th Street, the new Waldorf combined a transient hotel and a related but separate residential tower into a 625-foot-high skyscraper, one of the city's tallest at the time, located in the major new skyscraper office building district developing around Park Avenue near Grand Central Terminal. The architect of the hotel and towers, Lloyd Morgan of the firm of Schultze & Weaver, designed the complex in a sedate but handsome version of the modernistic style now generally referred to as Art Deco, adapting the skyscraper form and an up-to-date look to a conservative traditional establishment. The chief elements of the Waldorf s design include its modernistic massing as a twin-towered skyscraper; the gray limestone base with matching, specially made "Waldorf Gray" brick above; vertical rows of windows and modernistic spandrels; and bronze entryways, marquees, lanterns, and other ornament. Since opening, the hotel and the Towers have been home to some of the world's most famous figures, including presidents, kings and other potentates. The Waldorf-Astoria, continuing to serve as "New York's Unofficial Palace" (as it was once dubbed by the New York Times), remains one of the city's great hotels and major social establishments, and among the handsomest, if most sedate, of the city's Art Deco skyscrapers. Its great modernistic twin towers still form a very visible part of the skyline of midtown Manhattan.

The Waldorf-Astoria

The history of the Waldorf-Astoria Hotel begins with the history of the Astor family, German immigrants from the town of Walldorf.1 The family's vast wealth originated in the fur trade, but was consolidated by the acquisition of cheap farmland on the outskirts of early nineteenth-century New York that later became valuable midtown real estate.

One such piece of farmland, a rural tract crossed by Sunfish Creek when acquired by William Backhouse Astor in 1827, evolved into a substantial piece of Midtown Manhattan including the intersection of Fifth Avenue and 34th Street.2 By the 1850s, this part of Fifth Avenue was lined with the palatial homes of such millionaires as the Vanderbilts and A.T. Stewart (the "merchant prince," one of New York's wealthiest residents). The Astors themselves moved from Astor Place to Fifth Avenue in 1859 when John Jacob Astor, Jr., built his house at the northwest corner of Fifth and 33rd Street; shortly thereafter his brother William Waldorf Astor built an adjoining house at the southwest corner of Fifth and 34th Street.3 The Astor houses soon became known as a central meeting place of New York "society," and home to the balls given by Mrs. Astor for "the four hundred," a phrase coined by social arbiter Ward McAllister to describe the number of people who could fit into Mrs. Astor's ballroom, and understood to include the city's wealthiest and most socially prominent residents.

In 1890, following an unsuccessful run for Congress, William Waldorf Astor moved to England.4 By this time, Manhattan's hotels, theaters, clubs and restaurants had followed residential development up Fifth Avenue. One city guide identified "the great hotel district" as lying "between 23d and 59th Streets, and Fourth and Seventh Avenues" and noted that "in that territory, which is little less than two miles long by a half mile wide, are half of the leading hotels of the metropolis."5 Astor, rather than giving up his house site, redeveloped it with a thirteen-story hotel, designed by one of turn-of-the-century New York's most prominent architects, Henry Janeway Hardenbergh, in a style derived from German Renaissance models.

The Waldorf Hotel opened in 1893 with a benefit concert of the New York Symphony Orchestra, conducted by Walter Damrosch, that attracted society figures from New York, Boston, Philadelphia, and Chicago. Under the management of George Boldt, formerly of the Bellevue Hotel in Philadelphia, the Waldorf soon became known as a gathering place for the city's society, a successor in that capacity to the Astors' private homes. Christened "New York's unofficial palace" by the New York Times,6 the hotel became not only a residence for visitors to the city, but also a social facility for members of prominent New York families, people who formerly would have entertained guests only at home, but did so now at the Waldorf Hotel.

The Waldorf's success veiy soon led to the building of an annex, on the site of the adjoining mansion belonging to John Jacob Astor, Jr. The 17-story addition, also designed by Hardenbergh, linked up with the original, but, because of less

Ships in Cbus Wireless Retail Packaging
Our All Vehicle Car Charger will keep your device powered on the go. Features extendible coil cord and LED indicator.
Compatible Models: LG: Optimus Slider / Beacon / Marquee / Esteem / Enlighten / AX155 / AX300 / AX500 Swift / AX585 Rhythm / AX830 Glimmer / Accolade VX5600 / Ally VS740 Apex / Arena GT950 / Axis AS740 / Banter Touch MN510 / Bliss UX700 / CF360 / CT810 Incite / Chocolate Touch VX8575 / Clout VX8370 / Cosmos Touch VN270 / Cosmos VN250 / Encore GT550 / Expo GW820 / Fathom VS750 / G2X P999 / GD570 dLite / GR500 Xenon / GR700 Vu Plus / GS170 / GU292 / GU295 / GW300 / Glance VX7100 / Helix UX310 / LG100 / LG230 / LG700 / LG830 Spyder / LN240 / LW310 HELiX / LX290 Virgin / LX370 / LX400 Blue / LX400 Burgundy / LX600 Lotus / LX600 Lotus Red / LX610 Lotus Elite / Lyric MT375 / MN240 / MT375 Lyric / Neon II GW370 / Octane VN530 / Optimus C LW690 / Optimus M MS690 / Optimus T P509 / Prime GS390 / Optimus M MS690 / Optimus S / Optimus U / Optimus V / LS670 / Quantum C900 / Revere VN150 / Rumor 2 AX265 / LX265 / Rumor Touch LN510 / Select MN180 / Sentio GS505 / Shine 2 GD710 /Secret CF750 / Tritan AX840 / Tritan UX840 / UN200 / Wine 2 UN430 / Banter Touch UN510 / Mystique UN610/ US670 / Genesis US760 / UX220 UX265 Banter / UX280 Wine / UX300 / UX585 / UX830 / VN530 Octane / VS660 Vortex / VX11K enV Touch VX5500 / VX8360 / VX8560 Chocolate 3 / VX8610 Decoy / VX9100 enV2 / VX9200 enV3 / VX9600 Versa / VX9700 Dare / Vortex VS660 / Saber
It will work with any device that accepts a Micro USB charger.

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